In recent years Gibson Custom Shop has debuted a new series of Collectors Choice 1959 Les Pauls directly modeled after famous originals now in the hands of famed musicians and collectors.
As modern production techniques today didn’t exist back in 1959, every one of the less than 700 Les Paul Bursts created then had its own tone, feel and overall “vibe”. Gibson Custom recognized the need for a historically accurate recreation of these nearly mythical guitars and set off on a bold dream to recreate the unique personality and fingerprint of each piece.
The recreation process involves great passion, unmatched luthiery and meticulous attention to detail as Gibson Custom worked directly with dedicated owners and master luthiers such at Tom Murphy to methodically build a near perfect recreation of these truly one-of-a-kind guitars which only few have seen and fewer have held.
The Collector’s Choice Series has built its first issues since 2010. Collector’s Choice #1 is a 1959 Les Paul Standard that was owned by Peter Green and Gary Moore, nicknamed “the Holy Grail”. Likewise, Collector’s Choice #2, affectionally named “Goldie” by the collector who owns it, is a ’59 Standard currently valued in the high six figures.
Here at the store, we hold the biggest collection of Collectors Choice Les Pauls in Asia. They are a joy to behold and we can’t be more happy to snap one up whenever the opportunity presents itself. Drop by to try these fine works and let us share our joy of having a taste of a wondrous point in music and guitar history.
More high resolution photographs and information here.
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Collector’s Choice #2 “Goldie”
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Collector’s Choice #6 “Number One”
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Collector’s Choice #8 “The Beast”
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Collector’s Choice #11 “Rosie”
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Collector’s Choice #15 “Greg Martin”
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Collector’s Choice #2 “Goldie”
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Collector’s Choice #6 “Number One”
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Collector’s Choice #8 “The Beast”
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Collector’s Choice #11 “Rosie”
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Collector’s Choice #15 “Greg Martin”
Gibson Collectors Choice #2 “Goldie”
Our favourite in the house has to be the Goldie. Gibson says that the “Goldie” is an exciting opportunity not only because it is such a gorgeous Les Paul, but also because its ownership is extremely well documented, with only the first few years of its existence after heading from Gibson’s Kalamazoo factory to its first owner near Deer Park, Texas, remaining slightly hazy.
Having resurfaced in the early ’80s at one of the first Dallas guitar shows, “Goldie” has graced the collections of several noted burst aficionados including Vic Da Pra and Tom Wittrock, the guitar is currently in the care of an anonymous collector and on loan to Gibson Custom.
The guitar has also been extremely well cared for in its 52 years on this planet, suffering some of the minor nicks and dings that all well-played instruments experience in half a century of use – all precisely recreated by Tom Murphy’s hand aging – with no breaks, repairs, or modifications.
This ’59 Les Paul Standard’s finish has naturally mellowed to a sweet, rich, golden “unburst,” a luscious deep “green lemon” amber tone at the center with just a hint of darkening around the edges, giving it a look that many collectors adore. To precisely recreate the appearance of the original in the top, Gibson Custom has hand selected figured maple with a broad, elegant flame and “slip matched” the two pieces to present the same degrees of depth and dimension. Hand-finished in nitrocellulose lacquer and hand aged, this top is partnered by a light one-piece mahogany back which has faded to match the original’s soft, mellow reddish-brown.
The playing feel of “Goldie” is ensured by a precise analysis of the neck profile of the original 1959 Les Paul Standard upon which it is based, and its perfect recreation in the one-piece quarter-sawn mahogany neck of this Custom Shop creation. The rosewood fingerboard is bound in vintage-accurate and aged plastic, as is the body top, and a genuine nylon 6/6 nut and vintage-style tuners with single-band green keys grace the headstock.
Lastly, to recreate the tone of this rare Les Paul, Gibson Custom selected a Burstbucker 1 for the bridge position and Burstbucker 3 for the neck, a pairing that accurately reflects the mismatch in output that was often found in original PAF sets. Together, they present a woody, throaty tone from the neck, and impressive chime and clarity from the bridge.